• Although hundreds of different chord progressions are possible, most tend to follow a pattern.
  • In a major key, the goal of any chord progression is the I chord.
  • The rest of the pattern is based around the strongest ways to get to this chord.
  • An authentic cadence (V -> I) or (viio -> I) is the strongest way to approach a I chord.
  • Next, we use circle progressions.
  • The strongest way to approach V is a circle progression from ii.
  • The strongest way to approach viio is a circle progression from IV.
  • The strongest way to approach IV is a circle progression from I; however, since I is already on the chart, we will not repeat it.
  • A circle progression from vi leads us to ii.
  • A circle progression from iii leads us to vi.
  • The strongest way to get to iii is a circle progression from viio, which is already on the chart.
  • Finally, since I is the main chord of the scale, it can go to any other chord.
  • Now that the chart is complete, there are a few terms that you should learn.
  • Recall that the term ''dominant'' means the fifth scale degree. Since the V chord is built on the dominant, it is a dominant chord.
  • Since viio functions like V (by going to I), it can also be labeled as a dominant.
  • Hence, V and viio are dominants.
  • Since ii and IV come before V and viio, they are usually labeled as predominants.
  • Let's work out a chord progression using the chart. We will start at I.
  • Next, we can choose any chord. Let's go to vi.
  • Now, we can choose either ii or IV.
  • Let's go with IV.
  • Now, we can choose either V or viio. Let's go with V.
  • Finally, V takes us back to I.
  • Our finished chord progression is: I->vi->IV->V->I.
  • The chord progression chart for minor scales is very similar to the major scale chart. There is only one main difference.
  • The strongest way to approach III is not viio. Instead, it is a circle progression from VII.
  • A circle progression from iv to VII completes the chart.
  • It should be noted that the charts do not have to be followed strictly. If a progression is not presented, a composer is not banned from using it.